Fantastic Mr. Fox (2009)

If you've seen a Wes Anderson film, you know his movies are infused with quirkiness. Fantastic Mr. Fox is no exception.

And if you're a big Wes Anderson fan, you'll also be delighted with the homages to his other films. From a tussle and caper planing worthy of Bottle Rocket, to a precocious, multi-talented cousin out of Rushmore, to a compartmental overview of the Fox tree like in The Life Aquatic to the farmer character introduction and segment labeling out of The Royal Tenenbaums, they're all pieces that work in this movie too.

I don't remember ever reading Roald Dahl's Fantastic Mr. Fox, so my review is based on the movie on its own. And it definitely stands on its own.

Depicted in stop-motion animation is Mr. Fox, who is voiced by George Clooney. He likes to steal squabs, but one time when him and his wife (Meryl Streep) are in trouble during a theft, she tells him she's pregnant and makes him promise that if they get out of this alive, he'll find a less dangerous career. 12 fox years later, Mr. Fox is now a newspaper columnist and the father of the mopey Ash (Jason Schwartzman). Mr. Fox is getting restless though. He moves the family into a tree across the way from the farms of Boggis, Bunce, and Bean and the temptation to return to his old lifestyle becomes too much. Soon he's planning raids of the farms with opossum building superintendent, Kylie (Wallace Wolodarsky), and his visiting nephew, Kristofferson (Eric Chase Anderson - the illustrator of all of the maps, covers, and other packaging of the Criterion Collection editions of his brother Wes' films).

Incredible suspension of disbelief is required to watch this - beyond that of accepting talking animals. Plenty of things that don't quite make sense take place, but if you don't bother questioning it all, it's a fun ride. There's plenty of dry humor but it's also whimsical, amusing, and features some great performances by the voice actors.

Meryl Streep is calm, grounded, a bit more timid than we're used to hearing her. Willem Defoe proves he can be creepy as anyone, especially a rat. Mario Batali even makes an appearance as a rabbit who is also a chef... because of course we need accuracy in our rabbit chef portrayal. Wes Anderson seems to have even pushed George Clooney into the Wes Anderson Line Delivery Method. Anderson had the cast go out to a real farm and record their lines as they were acting out their scenes. So many times animated movies are missing that chemistry that appears when actors are actually performing in the same space. But this technique really helped bring the performances into cohesive ensemble work.

I think this movie even has a broader appeal than his others. Some people might assume with Wes Anderson at the helm, the movie's meant for adults but I think kids can enjoy it too. It carries a message that it's ok to be different. And by the end, no matter what your age, you'll probably find yourself wanting a bandit hat.

Rating: 4/5
Recommended for: Anyone in the mood for fun and bandit hats

Julie & Julia (2009)

Julie & Julia is full of food, frustration, and more food. It slides back and forth between two stories. One is that of Julia Child (Meryl Streep) entertaining herself with cooking and eventually taking over the assembly of Mastering the Art of French Cooking in the 1950s. The other is Julie Powell (Amy Adams) blogging and cooking her way through every recipe in Mastering the Art of French Cooking in 2002.

The cookbook is the thin string tying the two plots together. One would think that maybe there should have been two movies instead of one, but the Julie Powell story doesn't seem to have enough meat to stand on its own. Plus, despite Amy Adams' best intentions and efforts, the character of Julie remains difficult to find sympathetic overall. The movie is actually based on a combination of Julie's book/blog and a book on Julia.

Meanwhile the Julia Child story felt like it could have been expanded into a rather interesting biopic. Streep's accent is just how I remember Child's from her cooking shows. And her story isn't one that's been told over and over. Not to mention it has more developed characters and a more solid conflict than the Julie story does.

Overall it's an entertaining enough film to give watching it a shot. At the very least you can admire all the techniques they employ to make Streep look as tall as the real 6" 2' Julia. We also have to give them props for at least mentioning eating recipes out of that cookbook on a daily basis can be hazardous to your digestive system.

Rating: 3/5
Recommended for: Julia Child enthusiasts, people who wonder what could happen to them if they became devoted to making all the Mastering the Art of French Cooking recipes, and/or those who miss Meg Ryan talking to her computer in You've Got Mail

Doubt (2008)

John Patrick Shanley turned his own play into a movie, directed said movie, and called it all Doubt. Stemming from its stage background, the film is anchored by its words. Sets, costumes, even music fade into the background while you watch a story unfold in a 1964 Catholic school in the Bronx.

Father Flynn (Philip Seymour Hoffman) is trying to bring some modernity to the school and its church but diametrically opposed to him is the school's strong-willed principal, Sister Aloysius (Meryl Streep making up for being in Mama Mia). The tensions are further enflamed when history teacher Sister James (the ever-innocent Amy Adams) expresses concern over the special interest Father Flynn has taken in her student, Donald, who also happens to be the school's first African American student. Sister Aloysius immediately commits herself to discovering the truth of this relationship and comes to believe the worst.

Shanley only discussed with Hoffman whether Flynn was guilty of anything. It's a thoughtful directorial move that keeps the rest of the cast tethered to the audience, who knows just as much as they do. The story is all about its title concept and more. It's about what people do with the information they have. It's about how little they can control the world around them. It's about innocence and believing what we need to believe. Though it's mostly channeled through the three main characters, Viola Davis appears briefly as Donald's mother and brings another perspective to the duel that comes across as heart-breaking slap in the face. It's refreshing to see a movie so well thought out that still lets you form your own ideas and make your own decision at the end.

Rating: 4/5
Recommended for:Anyone who doesn't mind thinking and watching a movie at the same time