Inception (2010)

When writer/director Christopher Nolan was figuring out this film, I'm pretty sure he said multiple times,"Oh look. There's a stake we haven't raised yet. Let's raise it."

Inception is a dramatic, action-packed, science fiction, thriller of a heist film. So if you were looking for mindless summer blockbuster entertainment, run away. You need to go into watching this one knowing that your brain will be running the gambit.

Mine likes to wander off sometimes when I'm watching a movie. I'll start thinking about what other movies I've seen these actors in, or why they chose to light that scene like that, or, if the film is especially not engaging, things I should be doing instead of watching this movie.

Inception did not let me wander to any of those places. My attention was completely wrapped up for all 148 minutes of it. Plus, with how they mess with the concept of time, it doesn't even feel like 148 minutes. Actually, it doesn't feel like any specific amount of time. At the end I had no idea how long I was sitting there. And I wanted to see it again.

As others have said, it's not an easy movie to describe without having to say too much, but here's the premise. Cobb (Leonardo DiCaprio) leads a team that steals ideas out of people's dreams, usually in the name of corporate espionage. After trying to prove they can do it undetected to energy company head Saito (Ken Watanabe), Saito offers them a job doing the much tougher opposite--inception. He wants them to plant the idea of breaking up his dying father's energy empire into the mind of Robert Fischer (Cillian Murphy). Cobb's point man Arthur (Joseph Gordon-Levitt) has reservations about it, but Cobb insists it can be done. If they can do it, Saito will make sure Cobb can see his children again.

There's no standalone star here, even if Leo is on the poster. Instead it's a great ensemble--so much so it reminded me that there should really be a Best Acting Ensemble award at the Oscars. A solid team makes for such a more enjoyable and easier to get lost in film. Ellen Page who plays the team's new architect even manages to remove most of her Juno-esque line delivery and falls right in with the rest of the crew. Marion Cotilliard as Cobb's wife, Mal, pulls off being both caring and menacing. Tom Hardy (Eames, the forger) and Joseph Gordon-Levitt's banter is amusing without becoming tedious. And Dileep Rao as Yusuf the chemist plays the science guy without resorting to a stereotype.

In fact, the whole movie follows the balance you see in the acting. It has strange concepts without getting too trippy. The special effects are amazing without relying too much on CGI. Dialogue moves the story along and informs without hit-you-over-the-head narration. There's a lot of chase scenes without it becoming tiring. Even with some comparing it in ways to The Matrix, the whole thing just feels so fresh. Although the best part of all when I saw it was the collective noise most of the audience made at the end. It's a brilliant move.

Of course, as with most things, if you think about certain elements long enough you can start to pick it apart. But don't do that. Just enjoy the ride.

Rating: 5/5

Recommended for: Its elegant complexity

Shutter Island (2010)

When Leonardo DiCaprio and Martin Scorsese collaborate you have certain expectations. For example, you expect the movie to be good. Maybe you expect it to be a little violent. You might even expect it to not treat the audience like idiots.

Well... Shutter Island at least lives up to the second one. And it has an interesting plot. Or at least it makes you think it has an interesting plot.

Teddy Daniels (Leonardo DiCaprio) is a US Marshal in 1954 on the case of a missing patient from a hospital for the criminally insane on the allegedly unescapable Shutter Island. With his new partner Chuck Aule (Mark Ruffalo), Teddy comes across several roadblocks from the staff to the investigation and begins to suspect that something akin to the sinister activities he witnessed in death camps during World War II is taking place on the island. Things are further compounded by a hurricane, more escaped patients, and Teddy's dead wife.

Unfortunately Teddy and Chuck tell us way too many things explicitly. At some points it wouldn't be surprising if they turned to the camera and relayed the lines. And with the storm and the fireplaces and the men sitting in high-back chairs, you almost expect Teddy to announce it was Col. Mustard who absconded with the missing patient in the library with the candelabra.

There's a fair amount of suspense but it gets tiring after awhile and the story really starts to drag. Eventually, it's just annoying and tempting to fast forward to the end.

The actors do a fair enough job with what they've been given. Patricia Clarkson probably gives the strongest performance, but then again she was just making the most of the 5 minutes she's in the movie. DiCaprio and Ruffalo seem like an odd pairing. I never think of them as being in the same genre of films, but they work well together here.

In the end, only parts of it were the thriller I expected and instead of finding the ending itself clever, I felt betrayed. Looking back I see where all the seeds are sown, I just didn't care any more when it came time to harvest.

Rating: 2/5

Recommended for: People who like to be reminded that sometimes great film people put out a not-so-great movie

Revolutionary Road (2008)

Kate Winslet and Leonardo DiCaprio play April and Frank Wheeler in this depressing drama about a dissolving marriage in the 1950s. The film is dedicated to Joe and Mia, the children of Kate Winslet and this movie's director Sam Mendes. I realize it's because it's Winslet and Mendes' first film collaboration, but if I were them, I'd rather dedicate something much more uplifting to my children. I'd also like to chose one where we don't see at least eighty cigarettes being smoked.

Within the first ten minutes you can see what kind of trouble we're in for - not only with the words but with the visuals. As they walk down that long hall to exit the building, the overhead lights hit Frank while April is in the dark, and then April while Frank is in the dark over and over again until it's clearly evident these two are not on the same wavelength. After their argument on the side of the road, the interior shot of the car makes it look like they're so far away they're not even traveling in the same vehicle.

Mendes had the production rehearse for three and a half weeks before filming and it shows. Every line sounds like it's come out of the moment, every character is clearly thinking something even when they're saying nothing. More of the aforementioned visual metaphors abound and the whole production is beautifully shot. But it's such a tough story to digest as a helpless audience member.

Rating: 3/5
Recommended for: if you're not feeling crappy enough and really want to take yourself down a peg.

The 11th Hour (2007)

The 11th Hour is an environmental documentary produced, written, and narrated by Leonardo DiCaprio. In between DiCaprio's inspired speeches on sweeping vistas are interviews with many politicians, environmental activists, and scientists.

They have interesting information to share - such as the estimate that it'd take $35 trillion to replace nature (although we're not sure how that'd work, we do know it's nearly twice the amount of all the world economies in 2007). They tell us that for each truckload of products made, 32 truckloads of waste are also produced. In a study, kids could recognize 1,000 corporate logos but less than 10 local plants or animals.

They have an encouraging yet practical perspective. They acknowledge that there's "no milage in telling people they're making the wrong choices" and that the consumption is not bad but rather it's the fact that it's gotten so out of balance that's the problem. They have ideas for solutions. One being biomimicry, which seems like the ultimate poetic justice - saving the earth with ideas from nature. A biomimicry idea already put into practice is adding small bumps to paint. These bumps stop dirt from settling so rain can easily run it off, making buildings self-cleaning. The idea was derived from an observation about the petals of a lotus.

Overall there's a lot of information to digest and there's where the film runs into some problems. While the editing is well done, it's still too much to take in at once and too high-level to reach and inspire the masses. Aside from the aforementioned DiCaprio vista speeches, the visuals are minimal and much of the stock footage looks dated. Not to mention several of the experts have nearly monotone speech patterns. Solutions for the environment that are already in process are flashed upon the screen but they aren't discussed, leaving the viewer feeling like they're just concepts instead of steps in the right direction.

While full of knowledge, thoughtfulness, and good intentions the 11th Hour doesn't have enough appeal to inspire the masses to rise up and save the world.

Rating: 2.5/5
Recommended for: Segmented viewing