Fantastic Mr. Fox (2009)

If you've seen a Wes Anderson film, you know his movies are infused with quirkiness. Fantastic Mr. Fox is no exception.

And if you're a big Wes Anderson fan, you'll also be delighted with the homages to his other films. From a tussle and caper planing worthy of Bottle Rocket, to a precocious, multi-talented cousin out of Rushmore, to a compartmental overview of the Fox tree like in The Life Aquatic to the farmer character introduction and segment labeling out of The Royal Tenenbaums, they're all pieces that work in this movie too.

I don't remember ever reading Roald Dahl's Fantastic Mr. Fox, so my review is based on the movie on its own. And it definitely stands on its own.

Depicted in stop-motion animation is Mr. Fox, who is voiced by George Clooney. He likes to steal squabs, but one time when him and his wife (Meryl Streep) are in trouble during a theft, she tells him she's pregnant and makes him promise that if they get out of this alive, he'll find a less dangerous career. 12 fox years later, Mr. Fox is now a newspaper columnist and the father of the mopey Ash (Jason Schwartzman). Mr. Fox is getting restless though. He moves the family into a tree across the way from the farms of Boggis, Bunce, and Bean and the temptation to return to his old lifestyle becomes too much. Soon he's planning raids of the farms with opossum building superintendent, Kylie (Wallace Wolodarsky), and his visiting nephew, Kristofferson (Eric Chase Anderson - the illustrator of all of the maps, covers, and other packaging of the Criterion Collection editions of his brother Wes' films).

Incredible suspension of disbelief is required to watch this - beyond that of accepting talking animals. Plenty of things that don't quite make sense take place, but if you don't bother questioning it all, it's a fun ride. There's plenty of dry humor but it's also whimsical, amusing, and features some great performances by the voice actors.

Meryl Streep is calm, grounded, a bit more timid than we're used to hearing her. Willem Defoe proves he can be creepy as anyone, especially a rat. Mario Batali even makes an appearance as a rabbit who is also a chef... because of course we need accuracy in our rabbit chef portrayal. Wes Anderson seems to have even pushed George Clooney into the Wes Anderson Line Delivery Method. Anderson had the cast go out to a real farm and record their lines as they were acting out their scenes. So many times animated movies are missing that chemistry that appears when actors are actually performing in the same space. But this technique really helped bring the performances into cohesive ensemble work.

I think this movie even has a broader appeal than his others. Some people might assume with Wes Anderson at the helm, the movie's meant for adults but I think kids can enjoy it too. It carries a message that it's ok to be different. And by the end, no matter what your age, you'll probably find yourself wanting a bandit hat.

Rating: 4/5
Recommended for: Anyone in the mood for fun and bandit hats

Up in the Air (2009)

George Clooney plays Ryan Bingham - or he's playing George Clooney. It's really hard to tell. But more about that later. Anyway, Ryan Bingham's job is to fly around the country firing people for companies that don't want to fire their own employees. Ryan enjoys the perks of his job - namely frequent flyer miles. What he doesn't enjoy is the threat brought by newcomer Natalie Keener's (also relative newcomer Anna Kendrick) ideas for change.

The layoff element of the plot is very topical, painfully so for some people. It was an interesting choice to use actual recently laid off people in the firing scenes. It was nice of the production to give these people a job for a day and it gave a real voice to the feelings of the situation. But after they say their piece, they get put by the film in the out-of-sight-out-of-mind files. And the amount of screen time they had to give so that these people could really say something made the movie drift into the borderlands of documentary. That just doesn't mesh so well with the sarcastic comedic drama stylings of writer/director Jason Reitman.

George Clooney does seem like he'd be a good Reitman fit - except instead he comes off as if he'd play his part the same way no matter who the director was. George Clooney's Ryan Bingham is also his Danny Ocean from Ocean's 11 involved in more legal but still questionable ventures, his slightly less goofy Jimmy Connelly from Leatherheads as well as a slightly toned down Harry Pfarrer from Burn After Reading. It's all charm, leadership, and conviction. He plays it well, but it's also not that far off from his public persona. So how many times can you watch it? For some the number is much lower than others.

Vera Farmiga and Anna Kendrick on the other hand pull their weight with the freshness that Clooney lacks. Farmiga is smooth as Alex Goran, an also-seasoned traveler who meets up with Bingham whenever they're in the same town. And Kendrick is eager without becoming a caricature. Although I don't recall thinking Oscar! Oscar! while watching them, I was impressed with their work and didn't mind them being nominated.

But even with the great female leads and the topicality, Up in the Air isn't very grounded. It's lacking the gravity to seem substantial enough to really care while watching it. People firing your loved ones and living fancy lives aren't so easy to connect with. It misses on the emotions that could really strike home for the masses.

Rating: 3/5
Recommended for: People who haven't been laid off and will watch George Clooney in anything.

Leatherheads (2008)

George Clooney directs himself in a story about the revamping of US professional football in the mid 1920's. Clooney plays Dodge Connelly, an aging football player. The movie also stars John Krasinski, as Carter Rutherford - college football and WWI hero - who has been recruited to bring life back into the collapsing pro league. Renee Zellweger jumps in as Lexie Littleton, the Chicago newspaper reporter sent to find out if Rutherford's heroism was real. It's a mildly interesting setup that makes for a mildly interesting movie.

Clooney does well with some 1920's-style comedy film nods but the film isn't completely cemented in retaining that film style, which sometimes makes it all come off a bit too goofy for a modern audience although it could still be appreciated by film connoisseurs. The love triangle between the leads was a given but when one player asserts his dominance about halfway through, the premise becomes a throwaway. The dialogue has some great exchanges enhanced even more so by the actors' rapid-fire volleying. Unfortunately as the movie progresses, it gets bogged down by a continually slowed overall pacing until the end of the film is slowly dragging itself through the mud - literally. It was a nice effort and it looks like everyone involved gave it their best, but overall it was just an okay film.

Rating: 2/5
Recommended for: Someone who has nothing to do for two hours and doesn't mind Renee Zellweger, George Clooney, or John Krasinski.

Extended Review: After the smart banter, the next best thing about this film is the story behind Rutherford's WWI medal. In a modern film, the focus would have been on Rutherford as he retells how he accidentally got a whole enemy squad to surrender. But in keeping with the 1920's style, we're treated to a flashback of the event. The lucky confusion of the enemy isn't the funniest plot point ever, but it is clever. And once he returns from the flashback, Krasinksi wears the story like a weight around his neck bringing a bit more depth to his character in a film full of rather flat characters.